The Scrap Album - Site Guide

Ephemera Events, News & Exhibitions


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  • Ephemera Society Fairs 2017

  • Sunday · 4 June · 3 December
  • Holiday Inn London Bloomsbury
  • Coram Street
  • London WC1N 1HT
  • United Kingdom
  • All are welcome · Entry £3 · 11am - 4pm
  • Members from 10am with membership cards
  • www.ephemera-society.org.uk/

 

 

 
 

All Creatures Great & Small

Until 16 September 2017

Sometimes humorous, sometimes curious, fans decorated with animal subjects occupy The Fan Museum’s elegant Georgian interiors during the summer months of 2017. Throughout history fan painters have seen fit to exploit mankind’s innate love of animals, decorating fans with all manner of beasts. This display presents a menagerie of fans dating from the 1700s onward.

Image of fan
'Forme ballon' fan painted with a cat, signed A, Thomasse and Duvelleroy. (French, c. 1907)

Always reflecting time and place, the display includes an early eighteenth century Dutch fan delicately painted with pheasants, parrots and turkeys (at this time considered exotic, even collectable creatures).

By the beginning of the Twentieth Century fans painted with animal subjects proliferate and artists specialising in animal subjects carved out quite a niche. Perhaps the most celebrated animalier fan painter of this period is Adolph Thomasse (1850-1930), whose distinctive, anthropomorphic cats and dogs continue to enchant fan enthusiasts and collectors to this day.

  • The Fan Museum
  • 12 Crooms Hill, Greenwich
  • London SE10 8ER
  • UK
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  • More details
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The Land without Music: Satirizing Song in Eighteenth-Century England

Until 29 September 2017

Music pervaded public and private spaces in eighteenth-and nineteenth-century England; yet, in 1904, German critic Oscar Adolf Hermann Schmitz, heightening long-standing aspersions, dismissed England as a “land without music.” This unflattering epithet pointed to England’s meager contributions to the western musical canon during the eighteenth and nineteenth centuries—no English Gluck, Mozart, or Verdi; no English operatic or symphonic tradition that could rival those that flourished on the continent.

Image: detail from print

The English, critics like Schmitz suggested, were importers rather than producers—tasteless consumers and dilettantes rather than discerning, proficient practitioners. This view did not originate with continental nationalists; in the eighteenth century the English often presented themselves as uniquely unmusical in print and in visual satire.

At once self-effacing and boastful, this representation asserted a national character too sensible, too chaste, too sober to permit the excesses of musical genius. Bringing together satirical prints and documents pertaining to English music makers and listeners, this exhibition explores English attitudes toward music as lascivious, feminine, foreign, frivolous, and distinctly un-English.

Image: detail from copy after James Gillray, A Little Music, or, The Delights of Harmony, 1818.
Copyright © Yale University

  • Lewis Walpole Library, Yale Univeersity
  • 154 Main Street Farmington
  • Connecticut 06032
  • USA
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  • More details
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L'Affichomania: The Passion for French Posters

Until 7 January 2018

This exhibition features approximately 50 posters by the five grand masters of the medium: Jules Chéret, Eugène Grasset, Théophile-Alexandre Steinlen, Henri de Toulouse-Lautrec, and Alphonse Mucha.

Image: detail from poster

The posters date from 1875 to 1910, the exuberant era in France known as the Belle Époque. These pioneering artists reigned in Paris during this period of artistic proliferation, defining a never-before-seen, and never forgotten, art form.

Drawn from the Driehaus Collection of Fine and Decorative Arts, the posters on view feature such iconic images as Steinlen’s Le Chat Noir and Lautrec’s Moulin Rouge: La Goulue. Each of the five artists will be featured in one of the period galleries in the Museum, allowing guests to explore the artists’ individual style and compare them with their contemporaries.

  • The Richard H. Driehaus Museum
  • 40 East Erie Street
  • Chicago, Illinois 60611
  • USA
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  • More details
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Victoria Revealed

Until 17 February 2018

Image of Queen Victoria

This exhibition explores the many, often surprising, aspects of Queen Victoria’s character: devoted wife, dedicated mother, devastated widow and powerful stateswoman.

Follow Victoria’s story from the room in which she spent her first moments as queen. Trace her journey from young girl to queen enthralled with a new husband, to grieving matriarch and ruler of a vast empire.

Included in the exhibition are iconic, impressive, beautiful and often deeply personal objects, from Victoria’s simple white silk wedding gown, to the dolls she made, dressed and named as a little girl.

Victoria and the people who surrounded her tell this story: excerpts from her journals, letters and reports from contemporary commentators give insight into the extraordinary life of the woman whose name defined an age.

 

 

Russian Revolution: Hope, Tragedy, Myths

Until 29 August 2017

Image: detail from poster

As part of the 100th anniversary of the Russian Revolution this major exhibition, Russian Revolution: Hope, Tragedy, Myths, will shine new light on the unprecedented and world-changing events of the period, focusing on the experiences of ordinary Russians living through extraordinary times.

The exhibition begins in the reign of the last Tsar and explore the growth of revolutionary movements, which brought about the transformation of Russia’s traditional monarchy into the world’s first Communist state as well as colossal social and political change. Key figures such as Tsar Nicholas II and revolutionary leaders including Vladimir Lenin will be examined along with the political events of the period.

The exhibition tells the incredible story of the Revolution through posters, letters, photographs, banners, weapons, items of uniform, recordings and film: from a luxury souvenir album of the Tsar’s coronation to propaganda wallpaper hand-painted by women factory workers, this exhibition will unite the personal and the political, bringing to life the hope, the tragedy, and the myths at the heart of this seismic Revolution.

  • The British Library
  • 96 Euston Road
  • London NW1 2DB
  • UK
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  • More details
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